I On the Embodiment of Form: Polychronic Movement
in Flaubert and Debussy
II "Rasch": Roland Barthes' Reading
of Schumann's "Kreisleriana"
III Symbolism and Convertion in Clementi's
"Didone abbandonata"
IV "Invisible Connections": the
Two Harvard Lectures of Bartok (1943) and Calvino
(1985)
V Oral Tradition in Bartok's Performance:
his Four Recorded Versions of Evening in Transylvania
VI Two Readings of Bartok's Improvisations:
Anacrusis as a Sign of Otherness
VII Revisiting the Ancient Elements: Bartok's
Out Doors Suite for Piano
VIII Symbol and Reverberation: Patterns of
recognition in the Work of Bartok, Rilke, and Brancusi
